The left panel( or “hall” part if this was an architectural diagram )is a combination of single photos that are interventions of drawings as photographed out of hand in an environment of ruined foundations . The general visualization can then build according to continued improvisations of the photo software in cyber space . In relation to these are more convoluted involvement with the cyber drawing software in and of itself. The right panel gives a view into this which is completely in that mode. The element of intervention between photo and drawing is essentially” internally focused to use terms of narratology” (Genette as referenced by Bal) while the expansion of drawing means belongs ot external focus of interest in drawing for the sake of drawings own philosophy, , beyond a specific subject.
The photos are placed in different period modes, for example the first is daguerotype, to give a feeling of excavating time, although a “time out of order” as it were as one encounters all manner of periods on ones normal excursions through cultural contents and documentations.
The cyber drawing improvisation use the linking vocabulary of Asian carpentry cognates to a modelling and morphic sense in the new realm of digital
sensation and spectrum. The linking of new rhythms and process are simultaneous to a fabric of events, out of this matrix sensations build to new levels of projection and find meta levels, new classification of interest as they evolve to the work.