Post Co-Contemporary- Prism- Ism

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Interdisciplinary motifs in arts and sciences mark in general the willingness to look outside the box that deconstructionism initiated . This in turn is by no means an absolutely unique idea but rather part and parcel of the relation between metaphor, allegory and trope as for example when painting thinks in terms of sculpture in order to broaden the base of its relations to the senses. Expanding the sense of meaning through allegories of drawing is immediately familiar to us through Leonardo, and in general we can still say that today we are very interested in finding an image or way to draw the shape of the universe, whether that universe is the stellar limits, or a shoe, or a discipline. Medical knowledge tends to suit our tropes of “organic” while architecture tends to form “information systems” including how to conceptualize the atom. The fields of Occupational Therapy looks into the activities of daily living and the transactions on a small scale we all make with the larger scales of  identification and particularly invests in neurology and the “reflex arc”. Reflexive knowledge finds itself then used as an allegory within art- ie reflexive art – art that refers to itself. Of Philosophy: one major proposition is shared by all- that the conditions of experience are simultaneously the conditions of the possibilities of knowledge. Therefore the interdisciplinary approach seeks to   engage objectives in ways that broadens potentiality in experience through the use of each other as metaphors and allegories. As ideas become very complex the computer drawing is enlisted to try to visualize. At the same time, then, obviously basic drawing ability which can support this is desirable.  Also desirable is away to think abstractly with the computer. How can we modify information systems as we  use them to cross-index each other  in much greater depth  of inter relating circuits .From this idea can  we create a topography that is a strong meta threshold to the word?

Topography that is simple and appeals to me is the simple ability of the computer to compress shapes by distortion, and this compression is a corollary to physical drawing in which the hands pressure actually increases the body weight on the scale, while also immersing the idea of scrolling within this activity. The scrolling has connection to the Deluezian fold- of Leibnitz- out of which the patterns of involvement between the movement of mind and matter assimilate in an embedding or folding – interfolding. This seems a way to alter our visual icons to be transformative in nature and describe according to a topology that shows how different disciplines modulate each other. I envision for example, using disoritions of informtion fields corresponding to experiential or data indicators a variation on the Venn Diagram that takes it to a multiplicity of complex enfolding for the Nomadic monad…