Monthly Archives: November 2011

Days Over Soul Mountain Nights

This drawing could be considered an illustration for Soul Mountain by Gao Xingjian of our times whos name is similar to Cao Xue Quing of the 17 century Chinese xlassic The Story of The Stone- both authors supported themselves by painting and have writing climbing through the narrative levels of art becoming life and life [...]

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Displacements and Sources to Art Philosophy

I reference trace as term indicating drawing activity ie marking and rhizome as its complement-opposite of a mapping notion of extension and the field they occupy as a matrix in which relationships may be termed threads such as Ettinger writing on Hesses drawings for sculpture  indicates in traciyng a philosophical enquiry of psychological origins specifically [...]

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Guanyin and Njinksy

In the middle of the Pacific in Honolulu Academy statue of Guanyin- seated meditation pose and also the same image of a dancer leaping: in fact mudras ie meditation hand postures were dance forms for signalling ceremonies- Guanyin balances the crossing of midline and in the gaze that becomes your own suddenly you will see [...]

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Box C. Meta Studio

The imbedded photo platform is referencing the box camera and seems apropriate to provide a siting for a particularizing of my improvisations of carpentry joints to a circuit as they take “endless column” to a different place, a bracket of space converted to form endlessly reapearing out of its own dissapearing.

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PaleoNe0Postalityism

Maybe Greenberg was right- sheer visuality and encounter…but the encounter is removed to cyber space by now so consider best you can or quick google your pre history ie looking at cave art you have no cultural reference… can you see the art alone like that- naked- without reference? Or Aztec art- the cave art [...]

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