Monthly Archives: September 2010
My drawings in digital space use rythm to replace the sheer and torsion of traditional materials while maintaining drawing feeling for carving. This carving modality is not in place but extended and extenuated as excursions and curcuits into salient space. The impulse of drawing allows for the sculptural motion to become more sublime, like a […]
Gradually I am becoming interested in identifying, in relation to my ongoing use of a structural “butterfly” joint or cut a use of identifying a “facing ” position, sort of a portrait moment with in the work as it were, within the ebb and flux.
The hint of a curving frontal plane that inserts into this piece as it advances the sunken tracts of emergent drawing form sculpturally is related to the idea of moving platforms for studying models movements.
In this drawing the framing motif is a topology of my own drawing mode that gives an indication of the rationale of the aesthetic that comes of the drawing. There is to begin the idea of displacement carried by my sensibility to a carving mode within drawing that is a sculpturotectural quest of the inner […]
The channels or dug out space out of which form arises is like language, potential, the museums, the arena out of which things emerge into being. The distinct rounded forms or wheels of Asian joinery interpretations are sculpturotectural puzzles whose excursis of the joinery are stating the kinesiological definition of human movement(excursion of joints) taken […]