The gaze is never really locked into the surface- rather it spends a fair amount of time suspended between the vectors of intuitions that incorporate visual focus and scan to bodily orientation and spatial dynamic trinamic or kin. The material, fluid, gas dispersion of particles in physics of elemental situation is complicated in cyber space to a spectrum domain where visuality arrives through the sleeve of scroll space queue that no longer is really a surface upon arrival but rather a matrix of electric cells.

Ther-e fore the tiling I use are actually pictures condensed and represent a symbolizing process of  the number of times the gaze “carries” And what does it carry? What is in the package?

Abstract: the embossed field as a quotation of printing creates a mirror, and a rotating mirror as well. These element in so contrasting place events to a devolving of mirror to mirror that reprsents the intuitive dynamics the idea of rhizome symbolizes in and of itself.

Abstract: The iidea of the work is to keep finding different angles to the idea of a loop.  iN general a rhizome is a state that can be reproduced in terms linking abstraction to human activity as recreational including the famous rules of the game of formalism. The non material status of rhizome makes game rules a different mode however, because it is generally a state of overwriting…

Abstract: This is an example of cyber “logic , the use of a non-marking software to excavate a path is a non marking, while the use of distortion upon drawing elements subtract the element of original intent.  Marking thus both exists as such, but also has a kind of reverse mirror.

Abstract: The early ideas of building sculpture oan a skeleton that opens up that frame to an environment of transparency depends on a material comparison of form to  form as evidenced in early kinetic environment artists like Jesus Soto or Nicholas Scjhopffer.  Howecer in this drawing those ideas meet the contradictory reality of cyber space in which the object becomes its own subject an subjec its own object to afford then the relief elements of a moment to moment realization to metamorphosis and meta levels simultaneously.

Abstract: The Site/Non Sit idea of Smithson invites a reevaluation of how formalism functions in cyber art: is it the same?  My feeling ti that the meta levels of the computer art work are embedded to zones rather than sites , but have  a comparable sense of intersting psychic distance.  owever the distance also from physicality posits space itself to metamorphosis within means.  This Deleuzian idea as it encounters information theory alters the original sense of visual psychology to a transformative neurological model of bodily presence within the encompassing visual continuum which as Gustav Metzger said means ” the artist’s entire viual field becomes the work of art”,

Abstract: A labyrinth has origin and exit, while a rhizome is a manifold in which measurements can be performed but as a whole is too complex, embedded and enfolded to extricate such flows to origins and ends. Yet the idea of a queue in computer science allows a loop to state a linear thread and therfore a labyrinth  in rhizome topographical terms as the psychology of vision creates clover leaf connection of experience into manifold that are like the neuralogical model of multiple sites linking cortical integration and meta levels from a non centralized gathering.

Abstract: It i s a tiling melded to the computer “button” which resists surface tension and is  transformative to its own inner ambiguity because formed from within what appears a surface,  but is not. The visuality that surrounds the event has proposed it from a state recognising parts  while intuiting the whole visual field.

virtual mass is thus modified to excavate visual zones through a haptic sensebility that engages a sense of relief within a fluidity of arriving information.

Abstract: The pictorial queue or loop tends to misquote standard pictorial metaphors as I use it because the information as such is modified by a psychology of vision that is like a clover leaf bridge- the non- hierarchical portals of information “rhizome”  per Deleuze … Accordingly cyber art meets in the pixel sand very ambiguous scale relations as the forms are pulled through the sleeve.

What is the visual psychology, or rather what are the layerings of the event of visualization within electronic means that builds the intuitive continuum elaborated into axiomatic devolvement to theory and process.? The devolvement tends to link information semiotics to the neurological model which as non centalized cortical integration is or can be thought of as  linked  tdo Delequzes generalized ide of “rhizome’ The scroll or furdl is a self reflexiv emode that builds from the computer science “queue” – linear order that can be looped to form a chain where beginning and end can be manipulated therein.

My works identify surface tension within the variable pixel dimensioning in the looping association of emerging forms that are mysteries of their own production inwhich standard  figure ground relation of an examined object now  turns more  on successive moments  through  which object and subject are more of a compound and context is less provided than arrived at as they arrive so to speak on a turn that forms in the sleeve like a fourth dimensional potters wheel of prismatic dimension.