Labyrinth and AEther



=pdf for scrolling


Inverse of Kosouth : standing rhetoric (Kairos-harmon-> kouros, configuration) as opposed to hyper context: site and language articles and artifacts engaged to double reading of and-&. Per any “art and language” engaged to artistic proof and license.

Phenomenal phonemes-Morphing phonemes in drawing status of mark to mass and associations of configurative faculty projecting levels of approach as spin salient and agenda
Compression gradients – strata: Morphic base block
Einei(any)->to be;being oussia : sic osmotic re ocean, Louisian, Fosse (foss-sil) Russia, Rose
Kairos : harmony of rhetoric ethos –pathos-logos/ -> morphological arrows: issues of identity usage and being/: nominal logical expressive/: interactive-immersive-generative : standing rhetoric : effectuating affect vs effecting affect
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Throwness- psychology and colloids of the psyche_modads:noema (hyper subptle) phenomena – nomenon: Gnomon: that by which things are known- sundial: aetherial realm: dry beam of light, wetness of atmosphere: axes of Tethys or Hades to Earth. Aquifier space of the subterranean emergent, Spheres of influence; Aether from moment of Aurora:XHX aspirant signifying in speech roar of crowd or dawn as the osmotic symbiosis of sight to sound in the directedness of vectors emerging from their compression, bow and lyre bolero.
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Aesthetics, thetic = stress or thematic( vector- virtu) Moira fate- aisae frets of chord threads and strings of fate toward luck chance and fortune in which the poetics of nominal construct encounter subjectivity as denominations: deterritorialization, dediffentiation, philsosphic bracket…semiotic blending within the bodi of the semiotic somatic. Aesthomenai: sensitivity- aetherial realm: straitening…
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Psychology: throwness, dassein there being per thisness and thereness, thisness goetia or circumstance- tableau, and thereness environment, consciousness and concept: theoria…. Transitive state of being that of slippage and metonym to transference, pattern, separation of Hypsos or emergence from fascination or excessive tone of mood in order to rhea-lyze mode…subconscious, the drive as sublection or ego integrgration of subject via relating object to its production in time of consciousness.
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Simulacrae and chance: word meaning statue originally and maps to artistic proof via the idea of graven image per coin, the flip by which that which shows is also that which does not, simulacrae not therefore an idea of simultaneous but of being.
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Interpolation and interpellation towards polyphonic voice and morphogenic character of morphology and the metamorphic, topology, topography –ethos and topos , credibility and line of approach
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Prosodic and mimetic and transubstantion there of per rhetorical devices- sequence, and person shaped by identity, ghost in the machine: exlusion argument- every statement requires a verb and in this verb the statement is reshaped… rhetorical device: scesis onatum: omit the verb, as in Chinese…
Tttttttttttttttttttttttttttttttttttttttttttttttttttt ttttttttttttttttttttttttttttttttttttttttttttttttttttttt
Turn of fate: trope = artistic licence, the “vanities”, verbal visual “conceits” departure from the nominal towards underlying associative vectors which can be accessed as being the formative matrix of the artistic subconscious…. Verse- also means turn, but indicating a reaching towards the subject rather than away, contrast in Greek and Roman Consciusness, fate as dawinng, or seized…
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And &, conjunction: combine or separate, anabolic or catabolic, mood or mode.

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Shadow Journal

Journal Volumes 1-4 combinde files 5-8 Journal 9 Journal 10 Journal 11 Journal 12 journal 13 archive addendum 1 Journal 6 Journal 7

My shadow journal exist as the notes behind other journalistically driven works of a canonical series in which architectural joinery forms build into the cyber loop as a drawing ensemble and in which the composition.form symbolize the drawing itself… all are supported by these notes which involve relating the software argument to philosophic bracket and an osmotic sense of the morphogenic extensions over topographies and topologies of trope over entropy in creating the semiotic blending and philosophic niche of transdisciplinary ethos in the pathos of drawing discourse linking time and space as throwness, thisness, thereness, slippage, metonymy, transgression and contingency.

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Archive 100

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archive 99

13p-7 26a-10 27t-10 28a-2 28a-3 28a-4 28a-5 28a-6 28a-7 28a-8 28a-9 28a-10 28a-11 28a-12 28a-13 28a-14 28a-15 28a-16 28a-17 28m-5 29b-9 29d-1 29m-6 29n-1 29t-4 30g-5 30v-1 30v-4 30v-13 31-7 33f-13 33L-5 33n-1 33n-2 33n-3 33n-4 33n-5 33n-6 33n-7 33n-8 33n-9 33n-10 33n-11 33n-12 33n-13 33n-14 33n-15 33o-1 33o-2 33o-3 - Copy 33o-3 33o-5 33o6 33o-7 33o-8 33o-9 33o-10 33o-11 33p-1 33p-2 33p-3 33p-4 33p-5 33p-6 33q-1 33q-2 33q3 33q-4 33q5 33q8 33q-9 33q-10 33q-11 33q-12 33q-13 33q-14 33q-15 33q-23 33r-1 33r-2 33r-3 33r-4 33r-5 33r-6 33r-7 33rs-1 33s=3 33s-2 33s-4 33s-5 33s-6 33s-7 33s-8 33s-9 33s-10 33s-11 33s-12 33s-13 33t-1 33t-2 33t-3 33t-4 33t-5 33t-6 33t-7 33t-8 33t-9 33t-10 33t-11 33t-12 33t-13 33u-1 33u-2 33u-3 33u-5 33u-6 33u-7 33u-8 33u-9 33v-1 33v-2 33v-3 33v-4 33v-5 33v-6 33v-7 33v-8 33v-9 33v-10 33v-11 33v-12 33v-14 33v-15 33v-16 33v-17 33v-18 33v-19 33w-1 33w-2 33w-3 33w-4 33w-5 33w-6 33w-7 33w-8 33w-9 33w-10 33w-12 33w-13 33w-14 33w-15 33w-16 33w-17 33w-18 33w-19 33x-1 33x-2 33x-3 33x-4 33x-5 33x-6 33y-1 33y-2 33y-3 33y-4 33y-5 33y-6 33y-7 33y-8 33y-9 33y-10 33y-11 33y-12 33y-13 33y-14 33y-15 33y-16 33y-17 33y-18 33y-19 33y-20 33y-189jpg 33yz-1 33z 33z-1 33z-2 33z-3 33z-4 33z-5 33z-6 33z-7 33z-8 33z-9 33z-10 33z-11 33z-11jpg 33z-12 33z-13 33z-14 33z-16 33z-17 33z18 34a-1 34a-2 34a-3 34a-4 34a-5 34a-6 34a-7 34a-8 34a-9 34a-10 34b-1 34b-2 34b-3 34c-1 34c-2 34c-3 34c-4 34c-5 34c-6 34c-7 34c-8 34c-9 34c-10 34c-11 34c-12 34c-13 34c-14 34c-15 34c-16 34c17 34c-17 34d-1 34d-2 34d-3 34e-1 34e-2 34e-3 34e-4 34e-5 34e-6 34e-7 34e-8 34e-9 34e-10 34e11 34e-12 34e-13 34e-14 34e-15 34e-16 34e-17 34f-1 34f-2 34f-3 34f-4 34f-5 34f-6 34g-1 34g-2 34g-3 34g-4 34g-5 34g-6 34g-7 34g-8 34g-9 34g-10 34g-11 34g-12 34g-13 34g-14 34g-15 34g-16 34g-17 34g-18 34g-19 34h-1 34h-2 34h-3 34h-4 34h-5 34h-6 34h-7 34h-8 34h-9 34h-10 34i-2 34i-3 34I-4 34i-5 34i-6 34i-7 34I-8 34i-9 34i-10 34i-11 34i-12 34i-13 34i-14 34i-15 34i-16 34i-17 34i-18 34j-1 34j-2 34j-3 34j-4 34j-5 34j-7 34j-8 34j-9 34j-10 34j-11 34j-12 34j-13 34j-14 34j-15 34k-1 34k-2 34k-3 34K-4 34l-1 34L-2 34L-3 34l-4 34L-5 34L-6 34L-7 34L-8 34L-9 34L-10 34L-11 34L-12 34L-13 34L-14 34L-15 34L-16 34L-17 34l-18 34L-19 34L-20 34L-21 34L-22 34L-23 34L-24 34L25 34L-25 34L26 34L-26 34L-27 34L-28 34L-29 34L-30 34m-1 34M-2 34M-3 34m-4 34m-5 34m-6 34m-7 34m-8 34m-9 34m-10 34m-11 34m-12 34m-13 34m-14 34n-1 34n-2 34n-3 34n-4 34o-1 34O-2 34o-3 34o-4 34o-5 34o-6 34O-7 34o-8 34O-9 34o-10 34o-11 34o-12 34p-1 34p-2 34p-3 34p-4 34p-5 34p-6 34p-8 34p-9 34p-10 34p-11 34p-12 34p-13 34p-14 34Q-1 34Q-2 34q-3 34q-4 34R-1 34r-2 34r-3 34r-4 34s-1 34s-2 34s-3 34s-4 34s-5 34s-6 34t-1 34t-2 34t-3 34t-4 34t-5 34t-6 34t-7 34t-8 34t-9 34t-10 34t-11 34t-12 34t-13 34t-15 34u-1 34u-2 34u-3 34u-4 34u-5 34u-6 34u-7 34u-8 34u-9 34u-10 34v-1 34v-2 34v-3 334a-1 334e-2 334e-3 Article 2 Article9 AS 5 AS 9 Huysenman Iching Etchings Mirrorim Lantern Continent text 2 Mirrors Within Strata MWS 2 MWS3 Object B righter 7 Snapshot_20151020_3 (2) Snapshot_20151020_3 Snapshot_20151025 Snapshot_20151025_2 Snapshot_20151025_3 Snapshot_20151025_4 Snapshot_20151025_5 Snapshot_20151025_6 Snapshot_20151025_7 Snapshot_20151025_8 Snapshot_20151025_9 Snapshot_20151025_10 Snapshot_20151025_11 Snapshot_20151026 Snapshot_20151026_1 Snapshot_20151026_2 (2) Snapshot_20151026_2 Snapshot_20151026_3 - Copy Snapshot_20151026_3 (2) Snapshot_20151026_3 Snapshot_20151026_4 Snapshot_20151026_5 Snapshot_20151026_6 Snapshot_20151026_7 Snapshot_20151026_8 Snapshot_20151026_9 Snapshot_20151026_10 Snapshot_20151026_11 Snapshot_20151026_12 Snapshot_20151026_13 Snapshot_20151026_14 Snapshot_20151026_15 Snapshot_20151026_16 Snapshot_20151026_17 Snapshot_20151026_18 Snapshot_20151026_19 Snapshot_20151026_20 Snapshot_20151026_21 Snapshot_20151026_22 Snapshot_20151026_23 Snapshot_20151026_24 Snapshot_20151026_25 Snapshot_20151026_26 Snapshot_20151026_27 Snapshot_20151026_28 Snapshot_20151026_29 Snapshot_20151026_30 Snapshot_20151026_31 Snapshot_20151026_32 Snapshot_20151026_33 Snapshot_20151026_34 Snapshot_20151026_35 Snapshot_20151026_36 Snapshot_20151026_37 Snapshot_20151026_38 Snapshot_20151026_39 Snapshot_20151026_40 Snapshot_20151026_41 Snapshot_20151026_42 Snapshot_20151026_43 Snapshot_20151026_44 Snapshot_20151026_45 Snapshot_20151026_46 Snapshot_20151026_47 Snapshot_20151026_48 Snapshot_20151026_49 Snapshot_20151026_50 Snapshot_20151026_51 Snapshot_20151026_52 Snapshot_20151026_53 Snapshot_20151026_54 Snapshot_20151026_55 Snapshot_20151026_56 Snapshot_20151026_57 Snapshot_20151026_58 Snapshot_20151026_59 Snapshot_20151026_60 Snapshot_20151026_61 Snapshot_20151026_62 Snapshot_20151026_63 Snapshot_20151026_64 Snapshot_20151026_65 Snapshot_20151026_66 Snapshot_20151026_67 Snapshot_20151026_68 Snapshot_20151026_69 Snapshot_20151026_70 Snapshot_20151026_71 Snapshot_20151026_72 Snapshot_20151026_73 Snapshot_20151026_74 Snapshot_20151026_75 Snapshot_20151026_76 Snapshot_20151026_77 Snapshot_20151026_78 Snapshot_20151026_79 Snapshot_20151026_80 Snapshot_20151026_81 Snapshot_20151026_82 Snapshot_20151026_83 Snapshot_20151026_84 Snapshot_20151026_85 Snapshot_20151026_86 Snapshot_20151026_87 Snapshot_20151026_88 Snapshot_20151026_89 Snapshot_20151026_90 Snapshot_20151026_91 Snapshot_20151026_92 Snapshot_20151026_93 Snapshot_20151026_94 Snapshot_20151026_95 Snapshot_20151026_96 Snapshot_20151026_97 tract

Posted in uncategorized | Comments Off on archive 99